Anna Clock | Projects
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Projects

Upcoming & Current Projects

Punk Rock by Simon Stephens

Mountview Academy of Theatre Arts Dir. Tinuke Craig
– Sound & Music
(New Diorama Theatre, Dec 2018)

Pomona by Alistair McDowell

Mountview Academy of Theatre Arts Dir. Anthony Lau
– Sound & Music
(New Diorama Theatre, Dec 2018)

Bury The Dead by Irwin Shaw

Brickdust / Finborough Theatre Dir. Rafaella Marcus
– Sound & Music
(Finborough Theatre, Oct – Nov 2018)

 


Past Projects

2018

Fabric by Abi Zakarian

Damsel Productions, dir. Hannah Hauer-King
– Sound Design
(Soho Theatre & tour of London boroughs in association with Solace Women’s Aid, Sept – Oct 2018)

Songlines by Tallulah Brown

Hightide & Dugout Theatre, dir. George Chilcott,
– Sound Design
(Edinburgh & Aldeburgh Festivals, Regional Tour, The Mix Walthamstow Aug – Sep 2018)

Finding Fassbender by Lydia Larson

Rive Productions, dir. Blythe Stewart
– Sound & Music
(Edinburgh Festival 2018)

Overexposed by Dallas Fields

– Composition
(V & A Friday Late: Mirror Mirror, July 2018)

SPUN by Rabiah Hussain

Directed by Richard Speir
– Sound & Music
(Arcola Theatre, London, June – July 2018)

Forgotten Women Podcasts by Peer Productions

Directed by Rebecca Alloway
– Music composition & live performance
(May – July 2018)

They Sailed Away by Southwark Playhouse Elders Company

Directed by Jenni Elbourne, devised by the company
– Sound & Music
(Aug – Sept 2018)

Sound Design course for Young People at Holborn Community Association’s Media Arts Club

– Workshop facilitation for young people aged 13-18, culminating in the creation of a sound walk to be presented at Bloomsbury Arts Festival, October 2018.
(Holborn Community Association, April – July 2018)

The Show by Rowland Hill

Installation
– Sound design
(Slade exhibition space, June 2018)

This Is A Blizzard by Flock Ensemble

Directed by Ana Brothers; Devised by the Company
– Sound & Music
(Waltham Forest Festival June 2018; Barbican Lab July 2018)

UNCENSORED: BANNED & CENSORED PLAYS  Belka Productions

Directed by Max Gill
– Sound Design
(The Royal Haymarket, May 10th 2018)

REACTOR by Brad Birch

Directed by Hannah Bannister
– Sound & Music
(ArtsEd London, 22 – 26th May 2018)

[BLANK] by Alice Birch for National Theatre Connections Festival

– dir. Freyja Winterson
Sound & Music
(Orange Tree Theatre & Lyric Hammersmith, London, April 2018)

For The Fallen by John Young

– dir John Young, Community Cast
Sound & Music
(Ballakerneen Studio Theatre, Isle of Man, April 2018)

Devil With The Blue Dress by Kevin Armento

– dir. Joshua McTaggart
Sound & Music; composition for live saxophone
(Bunker Theatre, London, March – April 2018)

SPINE Festival

Lead Artist in Residence at Harrow Libraries with Associate Artist Thembe Mvula.
Site-specific devising, interactive public sound installation, sound work, and workshop facilitation with children, young people, members of the community including those with special needs.
(Harrow Libraries, Feb – March 2018)

Sonic Fluidities: The Radical Potential of Headphone Space in a Gendered Aurality

Research paper presentation and Sound installation in collaboration with neuro-ethicist Lauren Sankary.
(UC San Diego, USA, March 2018)

CONSTELLATIONS by Anna Clock

(2nd Feb, Quarter Block Party, Cork & 22-23rd Feb, Vault Festival 2018).

Hilda & Virginia by Maureen Duffy

– dir. Natasha Rickman
Sound & Music
(Jermyn St Theatre, 27th February – 3rd March)

The Moor by Catherine Lucie

– dir. Blythe Stewart
Sound & Music
(Old Red Lion, 6th February – 3rd March 2018).

Maria by Anna Clock and Josephine Starte

– devised
R & D and showing at Engine Room at The Omnibus
(Omnibus Theatre, London, Feb 2018)

2017

The Woods & Grandma by Cal Folger Day

Verbatim Pop Opera
– Cellist
(Dublin Fringe Festival, September 2017, Winner of Bewleys Little Theatre Award)

Tobacco Road by Incognito Theatre

dir. Roberta Zuric
– Sound & Music
(Pleasance Theatre, December 2017)

Me & My Whale by Xavier Velastin & Hannah Mook

Devised
– Music
(RET Manchester & Live Art Bistro Leeds, November 2017)

Continuity by Gerry Moynihan

dir. Shane Dempsey
– Sound & Music
(Finborough Theatre, July – August 2017)

RUN by Stephen Laughton

dir. Lucy Wray, produced by In Bloom
– Sound Designer, Composer
(JW3 London, March 2017; The Marlborough, Brighton, March 2017; The Bunker, London, March 2017).

CONSTELLATIONS by Anna Clock and Lauren Tata

– Composer and Performer, commissioned by Rough For Opera
(The Cockpit, London, December 2016; Jigsaw, Dublin, February 2017; The Others, London, April 2017).

2016

IN UTERO by Anna Clock and Veronika Szabo

– Sound Designer, Foley Artist
(commissioned by the Irish Composers’ Collective and performed at ICC SPEAK in the Irish Architectural Archive, November 2016).

Laughing Matter by End of Moving Walkway

– Sound Designer
(Kings Head Theatre, July 2016)

The Timestealers by Very Clock

– Sound Designer, Composer, Performer, Foley Artist
(The Queens Arms, Holborn, London, July 2016).

One Moment by Very Clock

– Sound Designer, Composer, Foley Artist, Performer
(We Are Now Festival, Camden Roundhouse on June 10th, 2016).

Poke in the Eye by Georgie Morrell

– Sound designer
(previews June and July 2016, London; Edinburgh Fringe August 2016).

Snail Walk with Discotheque Collective

– Sound Improvisation
Workshop Facilitator, Composer and Performer
(performed in site-specific outdoors locations in Berlin, April 2016, as part of Space/Time Festival 2016 and Dublin, 2013 as part of 10 Days in Dublin Festival).

2015

Babies by Very Clock

– Sound Designer and Performer
(Styx, London, March 2015).

‘Are you there?’ by Anna Clock

– Immersive site specific headphone piece
(performed in Swiss Cottage Library, December 2015).

2014

At Sea by Just The Lads

– Sound Designer, Composer, Performing Musician (cello and voice)
(performed as part of the Dublin Tiger Fringe Festival, September 2014, in the New Theatre, Temple Bar. Nominated for Best Design in Dublin Fringe Festival 2014).

The Last Post by Just The Lads

– Sound Designer, Composer
(performed as part of the Dublin Fringe Festival September 2013 and with the support of Dublin City Council again in November 2014).